Friday, April 27, 2012

Bancho Sarayashiki

Bancho Sarayashiki (The Dish Mansion at Bancho) is a traditional Japanese ghost story (kaidan).
The story of Okiku and the Nine Plates is one of the most famous in Japanese folklore, and continues to resonate with audiences today.

Folk version:
Once there was a beautiful servant named Okiku. She worked for the samurai Aoyama Tessan. Okiku often refused his amorous advances, so he tricked her into believing that she had carelessly lost one of the family's ten precious delft plates (Delftware, or Delft pottery, denotes blue and white pottery made in and around Delft in the Netherlands and the tin-glazed pottery made in the Netherlands from the 16th century). Such a crime would normally result in her death. In a frenzy, she counted and recounted the nine plates many times. However, she could not find the tenth and went to Aoyama in guilty tears. The samurai offered to overlook the matter if she finally became his lover, but again she refused. Enraged, Aoyama threw her down a well to her death.
It is said that Okiku became a vengeful spirit who tormented her murderer by counting to nine and then making a terrible shriek to represent the missing tenth plate – or perhaps she had tormented herself and was still trying to find the tenth plate but cried out in agony when she never could. In some versions of the story, this torment continued until an exorcist or neighbor shouted "ten" in a loud voice at the end of her count. Her ghost, finally relieved that someone had found the plate for her, haunted the samurai no more.

Ningyo Joruri version:



Hosokawa Katsumoto, the lord of Himeji Castle, has fallen seriously ill. Katsumoto's heir, Tomonosuke, plans to give a set of 10 precious plates to the Shogun to ensure his succession. However, chief retainer Asayama Tetsuzan plots to take over. Tomonosuke's retainer, Funase Sampei Taketsune is engaged to marry a lady in waiting, Okiku. Tetsuzan plans to force Okiku to help him murder Tomonosuke.
Tetsuzan, through the help of a spy, steals one of the 10 plates and summons Okiku to bring the box containing the plates to his chamber. There, he attempts to seduce Okiku. She refuses due to her love for Taketsune. Rejected, Tetsuzan then has Okiku count the plates to find only nine. He blames her for the theft and offers to lie for her if she will be his mistress. Okiku again refuses and Tetsuzan has her beaten with a wooden sword.
Tetsuzan then has her suspended over a well and, erotically enjoying her torture, has her lowered into the well several times, beating her himself when she is raised. He demands that she become his lover and assist in the murder of Tomonosuke. She refuses again, whereupon Tetsuzan strikes her with his sword, sending her body into the well.
While wiping clean his sword, the sound of a voice counting plates comes from the well. Tetsuzan realizes that it is the ghost of Okiku but is entirely unmoved. The play ends with the ghost of Okiku rising from the well, Tetsuzan staring at her contemptuously.

Okamoto Kido version:

Okiku's ghost
In 1655, in Edo, a vassal of the Shogun Aoyama Harima has fallen in love with a young servant girl Okiku. Aoyama has promised to marry her, but has recently received an auspicious marriage proposal from an Aunt. Aoyama promises Okiku that he will honor their love, and refuse the proposal.
Okiku doubts, and tests him by breaking one of the 10 heirloom plates that are the treasure of the Aoyama household. The traditional punishment for breaking one of the plates is death, which is demanded by Aoyama's family.
At first, Aoyama is convinced that Okiku broke the plate by accident, and pardons her, but when Okiku reveals that she broke the plate as a love-test, Aoyama is enraged and kills her. He then throws her body down a well.
From then after, Okiku’s ghost is seen to enter the house and count the plates, one through nine. Encountering her in the garden, Aoyama sees that her ghostly face is not one of vengeance, but beauty and calm. Taking strength from this, he commits seppuku and joins her in death.

Botan Doro


Otsuyu (right) and her maid carrying a peony lantern

Botan Doro is a Japanese ghost story that is both romantic and horrific. It involves sex with the dead (necrophilia) and the consequences of loving a ghost.
It is sometimes known as Kaidan Botan Doro, based on the kabuki (classical Japanese dance-drama) version of the story. Most commonly translated as "Tales of the Peony Lantern", it is one of the most famous kaidans (traditional, old-fashioned Japanese horror story) in Japan.

Otogi Boko version:
On the first night of Obon (festival of the spirits), a beautiful woman and a young girl holding a peony lantern stroll by the house of the widowed samurai Ogiwara Shinnojo. Ogiwara is instantly smitten with the woman, named Otsuyu, and vows an eternal relationship. From that night onward, the woman and the girl visit at dusk, always leaving before dawn. An elderly neighbor, suspicious of the girl, peeks into his home and finds Ogiwara in bed with a skeleton. Consulting a Buddhist priest, Ogiwara finds that he is in danger unless he can resist the woman, and he places a protection charm on his house. The woman is then unable to enter his house, but calls him from outside. Finally, unable to resist, Ogiwara goes out to greet her, and is led back to her house, a grave in a temple. In the morning, Ogiwara's dead body is found entwined with the woman's skeleton.

Kabuki version:
A young student named Saburo falls in love with a beautiful woman named Otsuyu, the daughter of his father's best friend. They meet secretly, and promise to be married. But Saburo falls ill, and is unable to see Otsuyu for a long time.

Later, when Saburo recovers and goes to see his love, he is told that Otsuyu has died. He prays for her spirit during the Obon festival, and is surprised to hear the approaching footsteps of two women. When he sees them, they look remarkably like Otsuyu and her maid. It is revealed that her aunt, who opposed the marriage, spread the rumor that Otsuyu had died and told Otsuyu in turn that Saburo had died.

The two lovers, reunited, begin their relationship again in secret. Each night Otsuyu, accompanied by her maid who carries a peony lantern, spends the night with Saburo.
This continues blissfully until one night a servant peeks through a hole in the wall in Saburo's bedroom, and sees him having sex with a decaying skeleton, while another skeleton sits in the doorway holding a peony lantern. He reports this to the local Buddhist priest, who locates the graves of Otsuyu and her maid. Taking Saburo there, he convinces him of the truth, and agrees to help Saburo guard his house against the spirits. The priest places ofuda (a type of household amulet or talisman, issued by a Shinto shrine, hung in the house for protection) around the house, and prays the nenbutsu every night.

The plan works, and Otsuyu and her maid are unable to enter, although they come every night and call out their love to Saburo. Pining for his sweetheart, Saburo's health begins to deteriorate. Saburo's servants, afraid that he will die from heartbreak leaving them without work, remove the ofuda from the house. Otsuyu enters, and again has sex with Saburo.
In the morning, the servants find Saburo dead, his body entwined with Otsuyu's skeleton. His face is radiant and blissful.



Yotsuya Kaidan



Yotsuya Kaidan, the story of Oiwa and Tamiya Iemon, is a tale of betrayal, murder and ghostly revenge and is arguably the most famous Japanese ghost story of all time.

Oiwa depicted with her child (unborn in the story)

The story:

Act 1

Tamiya Iemon, a ronin (a samurai without a master), is having a heated exchange with his father-in-law, Yotsuya Samon, concerning Samon's daughter Oiwa. After it is suggested by Samon that Iemon and his daughter should separate, the ronin becomes enraged and murders Samon. The next scene focuses on the character Naosuke who is sexually obsessed with Oiwa's sister, the prostitute Osode, despite her being already married to another man, Satô Yomoshichi. As this scene begins, Naosuke is at the local brothel making romantic advances toward Osode when Yomoshichi and the brothel's owner, Takuetsu, enter. Unable to pay a fee demanded by Takuetsu, he is mocked by both Yomoshichi and Osode and forcibly removed. Shortly thereafter an intoxicated Naosuke murders Okuda Shôzaburô, his former master, whom he mistakes for Yomoshichi. This is implied to occur at the precise time of the slaying of Samon. It is at this point that Iemon and Naosuke unite and conspire to mislead Oiwa and Osode into believing that they will exact revenge on the persons responsible for their father's death. In return Osode agrees to marry Naosuke.

Act 2

Oume, the granddaughter of Itô Kihei, has fallen in love with Iemon. However, believing herself to be less attractive than Oiwa, she doesn't think Iemon will ever want to become her husband. Sympathizing with Oume's plight, the Itôs scheme to have Oiwa disfigured by sending her a topical poison disguised as a facial cream. Oiwa, unbeknown to her at the time, is instantly scarred by the cream when she applies it. Upon seeing his wife's ghastly new countenance, Iemon decides he can no longer remain with her. He asks Takuetsu to rape Oiwa so that he will have an honorable basis for divorce. Takuetsu cannot bring himself to do this so, instead, he simply shows Oiwa her reflection in a mirror. Realizing that she has been deceived, Oiwa becomes hysterical and, picking up a sword, runs towards the door. Takuetsu moves to grab her but Oiwa, attempting to evade him, accidentally punctures her own throat with the sword's tip. As she lies bleeding to death before a stunned Takuetsu, she curses Iemon's name. Not long after Iemon becomes engaged to Oume. Act 2 closes with Iemon being tricked by Oiwa's ghost into slaying both Oume and her grandfather on the night of the wedding.

Oiwa seeing herself in the mirror

Act 3

The remaining members of the Itô household are annihilated. Iemon kicks Oyumi, the mother of Oume, into the Onbô Canal and Omaki, the servant of Oyumi drowns by accident. Naosuke arrives in disguise as Gonbei, an eel vendor, and blackmails Iemon into handing over a valuable document. Iemon contemplates his prospects while fishing at the Onbô canal. On the embankment above the canal Iemon, Yomoshichi and Naosuke appear to fumble as they struggle for possession of a note which passes from hand to hand in the darkness.

Act 4

Naosuke is pressuring Osode to consummate their marriage, to which she seems oddly averse. Yomoshichi appears and accuses Osode of adultery. Osode resigns herself to death in atonement and convinces Naosuke and Yomoshichi that they should kill her. She leaves a farewell note from which Naosuke learns that Osode was, in fact, his own younger sister. For the shame of this, as well as for the killing of his former master, he commits suicide.

Act 5

Iemon, still haunted by the ghost of Oiwa, flees to an isolated mountain retreat. There he rapidly descends into madness as his dreams and reality begin to merge and Oiwa's haunting intensifies. The act closes with Yomoshichi slaying Iemon out of both vengeance and compassion.

A popular version of the story:

Oiwa's famous hair combing scene

Oiwa was a beautiful young woman who lived in a small town in Japan. Her lover’s name was Iemon and although he didn’t have much money, Oiwa loved him very much. She was overjoyed when her childhood sweetheart asked her to marry him. After the wedding, they moved in together and the happy couple were soon expecting a baby. Oiwa didn’t care that Iemon was poor, but, as time went on, he became angry and depressed about his lack of prospects.

Iemon soon grew to hate his happy young wife and started an affair with a rich young woman named Oume. He romanced her for months and eventually, she fell in love with him, despite his poverty and the fact that he was already married.

One day, Oume’s father came to see Iemon. He told Iemon what a shame it was that he was already married, because his daughter loved him very much. The father went on to tell him all the ways that he could ensure his future son in law’s wealth and success. Iemon listened intently.

Iemon spent a great deal of time thinking about what Oume’s father had told him. An evil plot began to form in his mind. He decided that the only way he could marry Oume was to somehow get rid of Oiwa and her unborn child. He thought that the easiest way to do this was to secretly poison Oiwa and make it look like she had died of natural causes. Poor Oiwa was totally ignorant of her husband’s murderous plans. Blissfully unaware of the fate that was about to befall her, she continued to happily prepare for the birth of their baby.

One evening, when Oiwa and Iemon were sitting down to eat dinner, she noticed her husband was strangely quiet and nervous. She encouraged him to eat his dinner, but he would not touch his food. He yelled at Oiwa and told her to stop fretting and eat her own meal. She needed to be strong for the baby, he said. Oiwa finally gave up trying to tempt Iemon’s appetite and started to eat her dinner. It wasn’t long before she felt very sick.

Iemon watched her coldly as the poison did its work, not offering her any help or comfort. But Oiwa did not die right away. Her beautiful face became disfigured from the poison first. Then she slipped into unconsciousness. Iemon was too much of a coward to finish the job he started, so he put Oiwa’s lifeless body in bed. Eventually Oiwa woke from her coma, remembering nothing of the poisoning. She had lost her baby, and her face was ugly and terrible, but Oiwa lived.

Iemon was desperate. He played the part of the concerned husband, but he was looking for any way possible to rid himself of his wife. One evening he took Oiwa for a long walk. They made their way to a cliff, and Iemon looked around to see if anyone was nearby. No one was in sight.

Iemon pushed Oiwa off the ledge. Her broken body was recovered and Iemon gave her the best funeral he could afford, spending all of his money in a great show of marital devotion. Of course, Iemon knew his money troubles were only temporary now that Oiwa was gone.

Thinking his worries were over, Iemon planned his wedding to Oume. The night before the marriage was to take place, Iemon noticed his bedside lamp was dimming. He looked at it curiously, as it seemed to be changing. The disfigured face of Oiwa suddenly replaced the lamp, growing larger and larger in the room. “Betrayal!” it hissed.

Iemon grabbed a stick and swung at the face, but Oiwa disappeared and the lamp smashed and fell to the floor. Iemon thought he heard the faint laughter of a woman from outside. Shaken, Iemon convinced himself that the vision was simply the result of drinking too much alcohol earlier in the evening, and went to bed.

The next day, Iemon had forgotten all about the specter from the night before. He and Oume were wed. When he lifted her veil, however, her beautiful young face was replaced with Oiwa’s horrible visage. “Betrayal!” she hissed.

The horrified Iemon drew his sword and swung it at the ghostly apparition, cutting Oiwa’s head off. The severed head rolled down the aisle of the church, but when it came to a stop, it had Oume’s face and not Oiwa’s. He heard the faint sound of laughter again.

Iemon ran to his tiny house, looking for a place to hide. There was a pounding at the door, and Oume’s grandfather demanded that he open it. When Iemon did so, Oiwa was standing there. “Betrayal!” she hissed.

Once again, Iemon tried to decapitate her, but when his sword finished its work, it was Oume’s grandfather that lay dead.

Iemon ran for the cliffs, Oiwa’s laughter following him. He stopped at the edge and looked down, perhaps changing his mind.

It didn’t matter. Passersby reported seeing a woman push Iemon off the cliff before she jumped after him, laughing all the way down.

Thursday, April 26, 2012

Kaidan

Kaidan (怪談) (sometimes transliterated as kwaidan) is a Japanese word consisting of two kanji: 怪 (kai) meaning "strange, mysterious, rare or bewitching apparition" and 談 (dan) meaning "talk" or "recited narrative".



 In its broadest sense, kaidan refers to any ghost or horror story, but it has an old-fashioned ring to it that carries the connotation of Edo period Japanese folktales. The term is no longer as widely used in Japanese as it once was: Japanese horror books and films such as Ju-on and Ring would more likely be labeled as hora ("horror") or the standard Japanese kowai hanashi ("scary story"). Kaidan is only used if the author/director wishes to specifically bring an old-fashioned air into the story.

Jiraiya Goketsu Monogatari


Jiraiya (Young Thunder), the title character of the Japanese folktale Jiraiya Goketsu Monogatari ("The Tale of the Gallant Jiraiya"), is a ninja who uses shapeshifting magic to morph into a gigantic toad. The heir of a powerful clan in Kyushu of the same name, Jiraiya fell in love with Tsunade, a beautiful young maiden who masters snail magic. His arch-enemy was his one-time follower Yashagoro, later known as Orochimaru (大蛇丸), who mastered serpent magic (the first two kanji 大蛇 literally mean "giant snake" or "serpent").

Jiraiya riding on a toad. Seems legit

In Naruto, a popular manga and anime television series (and the name of the main protagonist), Jiraiya appears in the series as a ninja with the ability to summon giant toads. Along with the series' versions of Tsunade and Orochimaru, he is part of a trio of highly-skilled ninjas known as the "Densetsu no Sannin" (Legendary Three Ninjas). The anime episode depicting his demise is also called "The Tale of the Gallant Jiraiya."

Top row left to right: Orochimaru, Tsunade, Jiraiya Bottom row left to right: Sasuke, Sakura, Naruto

Killer in the Backseat

Killer in the Backseat (also known as High Beams) is a common, car-crime urban legend well known mostly in the United States and United Kingdom.

The legend involves a woman who is driving and being followed by a strange car or truck. The mysterious pursuer flashes his high beams, tailgates her, and sometimes even rams her vehicle. When she finally makes it home, she realizes that the driver was trying to warn her that there was a man (a murderer, rapist, or escaped mental patient) hiding in her back seat. Each time the man sat up to attack her, the driver behind had used his high beams to scare the killer.
In some versions the woman stops for gas, and the attendant asks her to come inside to sort out a problem with her credit card. Inside the station, he asks if she knows there's a man in her back seat. In another she sees a doll on the road in the moors, stops, and then the man gets in the back.

The story is often told with a moral. The attendant is often a lumberjack, a trucker, or a scary-looking man; someone the driver mistrusts without reason. She assumes it is the attendant who wants to do her harm, when in reality it is he who saves her life.

Looks like we've got a good Samaritan

Fatal Fare

This story concerns a lone taxi driver making his way along a road during the night. Legend goes that a person will suddenly appear from the night darkness and hail the taxi. The person will only ever sit in the back of the car and will ask to be taken to a place the driver has never heard of. When the driver mentions this, he is assured that he will be given directions. The passenger then feeds the driver increasingly complex directions which leads them down streets and alleys, through many towns and even in some instances all the way from the city to the countryside. After traveling this distance and still seeming no closer to any destination, the driver becomes uneasy. He turns around to the back seat to ask the passenger exactly where they are – but he is suddenly shocked to find that the passenger has vanished. The taxi driver turns back to the steering wheel; only to drive off the edge of a cliff.

Now that's a seductive passenger right there...
It's a recurring urban legend theme that you can find in almost every country in the world.